Exploring the idea of the modern-day tribe, English-Kenyan photographer James Mollison staked out arenas and music venues to photograph fans at popular concerts. Curious about the fact that many seemed to dress or look like their music idols (was this conscious or unconscious?), he picked out concert-goers with similar traits, clothing or physiques. The result is The Disciples, a series of group portraits which reveals a fascinating cross-section of music subcultures. But they are not perfectly neutral or objective images: … Continue reading The Disciples: James Mollison’s portraits of music fans